That Floating Excrement Was Far Too Meaningful! It's the TV Letdowns of the Year.

As we reflect on the TV offerings of the past year, a handful of shows emerge not for their excellence, but for their spectacular failures. From cringe-inducing sequels to confusingly poor docuseries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with woeful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the final series began, it seemed as if it had at last hit its stride. Then came an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the last series. It ended on a bum note; the closeup of Miranda’s toilet full of poo was simply too symbolic. Yet, viewers certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this drama's issues. The subject of a very rare zero star review, it was hard to know where to start listing the problems. The hilariously wooden dialogue? The tedious glorification of affluence and consumption? The seemingly deliberate parade of tropes? Acting so bad they felt borderline malicious? Let’s just say “all of the above” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling accents. But there were many other issues. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.

With Love, Meghan

Considering the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as intentional provocations. But then you watch them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware magazine animated; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series chose not to explore them. Instead, the experience was like reading a sales catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this guarded non-event of a series.

The Inheritance

It should have been the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As players competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart inclusion of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual exploits as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was way more examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Alexander Anderson
Alexander Anderson

Tech enthusiast and digital strategist with over a decade of experience in emerging technologies and startup ecosystems.